In 1979, James Brown stunned the music world with a set at the Grand Old Opry. Confessing his lifelong love of country, JB quipped “Country music really is just the white man’s blues.”
The Georgian blues phenom sits down for the inaugural Blues Center interview. In this expanded edition Jontavious talks about his mentor Taj Mahal, going down to Louisiana to get a mojo hand and Fats Domino’s update to “Junker’s Blues” with “The Fat Man.” Newly added concert footage from his appearances in New York City add to this mess o’ blues. Oh, and he can play county blues like a much older bluesman.
The 2018 New Orleans Jazz & Heritage Festival is now in the books. This time around the blues tent was the place to be! Grammy winner Bobby Rush also stood out in the interview stage jamming with his producer Scott Billington on blues harp). John Mayall, the dean of British blues, regained his dueling lead guitar format with Carolyn Wonderland. And not to be left out Buddy Guy sizzled on guitar, as he took his case directly to the audience (see photo).
Peter plays and talks thru his years with the Plimsouls and the Nerves in BCI #9 with Ric Stewart. We detail his solo debut on Geffen with T-Bone Burnett producing. He recounts Elvis Costello playing him “Pair of Brown Eyes,” inspiring a Byrds-like electric folk re-cut with Roger McGuinn, Van Dyne Parks, Jim Keltner and T-Bone backing him. “Old Blue Car” gets a revamp and a 1996 version of “Walk in the Woods” provides the backdrop for an awesome encounter with Bruce Springsteen.
Janiva Magness traces her career and New Orleans inspirations in the Blues Center interview with Ric Stewart. She gets started as an engineer, then a background singer for soulman Herman Jones. Later she cuts three attention grabbing releases for Alligator. She talks country and blues sources Hank Williams, Patsy Cline, Tex Ritter and Leroy Carr & Scrapper Blackwell. With powerful stage performances of “Long As I Can See The Light” “Moth to a Flame” and more.
Billy discusses New Orleans recordings at Specialty Records by Art Rupe with Lloyd Price, Little Richard, Larry Williams and their effect American teens and DJ Alan Freed. John Lennon and the Beatles took note covering Larry Williams tracks “Bony Maronie,” “Dizzy Miss Lizzy,” “Slowdown” and “Bad Boy.” Billy also talks about writing songs for Rick Nelson, Dolly Parton and Robert Plant. Billy won a Grammy for one of his 300+ liner notes. He has stayed busy in Hollywood, but grew up in the soul scene of Harlem’s Apollo Theater. Find out why Jerry Wexler signs Led Zeppelin and subscribe to catch the whole series!
Super producer Jimmy Miller’s fascinating back story with The Rolling Stones, Steve Winwood, Primal Scream and more..
The latest Blues Center video offers a cigar box guitar primer. It covers the 2018 New Orleans Cigar Box Festival with an interview of founder Collins Kirby and live clips from Samantha Fish, Little Freddie King, Steve Arvey, April Mae & The June Bugs and Ivor Simpson Kennedy. Find out more about Bo Diddley, the premiere cigar box player of all time. Little Freddie and Bo Diddley both hail from McComb, MS.
Ahead of his India debut, the American bluesman looks back on his eventful career
Walter “Wolfman” Washington is a musician of unparalleled versatility. The American blues vocalist-guitarist’s roots might be in the blues—he’s been performing it for over half a century—but in the past three decades, he has also whipped up some wholesome funk and R&B. It can be heard best on his 1997 record, Blue Moon Risin’.
It is but only natural for Washington to glide between different styles of music effortlessly—he grew up in New Orleans within a family that breathed music. “It was all around me. My whole family was involved in music, including two of my uncles, [the veteran guitarists] Guitar Slim [Eddie Jones] and Lightnin’ Slim [Otis Verries Hicks].”
Next month, Washington will perform for the first time in India, at the Mahindra Blues Festival. “We want to share some of our special brand of New Orleans music with the people,” says the 74-year-old, who started his career as a teenager, playing with pop and R&B singer Lee Dorsey’s group.
Read the full story at: http://rollingstoneindia.com/walter-wolfman-washington-blues-from-new-orleans/
He should have been a superstar along the lines of Eric Clapton. Or John Mayer. Someone like that. As gifted as he was as a soul singer, songwriter, guitarist and producer, Hinton should have been rich and famous instead of a tragic cult hero who died broke and broken, known mostly only to hardcore Southern R&B obsessives, a man whose best recordings aren’t even in print right now.
But that’s how the hand of fate works sometimes.
After moving to Muscle Shoals, Hinton played guitar on Staple Singers, Boz Scaggs, Waylon Jennings, Mavis Staples, Toots Hibbert and Jimmy Cliff records. His playing is featured prominently on the Aretha Franklin LP “This Girl’s in Love with You.” And “3614 Jackson Highway,” the underrated covers album Cher made at Muscle Shoals Sound, bearing that Sheffield studio’s now famous address.
Read the full story at: http://www.al.com/entertainment/index.ssf/2018/01/eddie_hinton.html